Less about the industry, more about the discipline that survives it.
Make, register, release, reach out. Every week, in that order. Most people do the first one and call it a career.
Nothing leaves the room unregistered, untagged or unnamed. The catalogue is the only asset that appreciates while you sleep.
A manager, a lawyer, publishing admin, an engineer, someone visual. You do not need them all today — you need to know which one you are missing.
Separate accounts. Records of everything. Knowing what a show actually costs you. It is not a lack of money that ends careers, it is mishandled money.
Every yes is a no to something else. Look at what you agreed to this month and ask what it compounds into.
Careers do not end because someone was not good enough. That is not encouragement — it is a warning about what you should actually be protecting.
Wim Statius Muller born 1930
Three generations, one small island, no break. The thing that carried it was not a market or a label — it was a practice, kept up, and passed on. That is the argument of this whole library in one family tree.
This is a plain-language map of how the systems work, so you know which questions to ask and which clauses to look at. It is not legal advice about your contract. Once there is real money or a real signature involved, that is a lawyer's job — and it is cheaper than the mistake.